Eagles guitarist Glenn Frey dies at 67: chief architect of band’s vocal and … – Los Angeles Times
Glenn Frey grew up in Detroit, the town best known musically for the catchy R&B music that came out of Motown Records, and the home of hard-charging rock acts such as Bob Seger, Mitch Ryder & the Detroit Wheels and the MC5.
So when Frey turned up at the celebrated Troubadour nightclub in West Hollywood in the late 1960s to audition as a singer and guitarist for rising country-rock singer Linda Ronstadt, her manager wasn’t sure he’d be a good fit.
“I had pigeonholed him as this punky kid from Detroit who wanted to be a rocker,” John Boylan said Monday. “But he surprised me with the scope of his musical knowledge. The very first rehearsal we had with Linda, we were doing a [Hank Williams] song, ‘Lovesick Blues.’ He knew the country sixth chords that Hank would use — he knew the whole genre already. I figured I would have to teach this guy about ancient country music, but he could have taught me.”
Frey went on to become a founding member of the Eagles, one of the most successful bands of all time — a group that will be forever associated with the Southern California country rock sound.
Frey died in New York on Monday from the rheumatoid arthritis he’d struggled with for 15 years as well as acute ulcerative colitis and pneumonia.
“When they went on tour with me, it was the first time Glenn had ever gone on the road,” Ronstadt recalled Monday. “We didn’t have enough money for everyone to have their own rooms, so the guys had to double up. That’s when Glenn and Don [Henley] started working together. When they said they wanted to form a band of their own, I thought, ‘Hot dog! Yes, you should put a band together.’ The first time I heard them sing ‘Witchy Woman,’ I knew they were going to have hits.”
His death could spell the end of the Eagles, a group whose sound captivated listeners worldwide starting with their first No. 1 hit, “Best of My Love” in 1974, and continuing with such successes as “One of These Nights,” “Lyin’ Eyes,” “Take It to the Limit,” “New Kid in Town,” “Heartache Tonight,” “The Long Run,” and one that became a contemporary standard replayed nightly by bar bands around the world, “Hotel California.”
That song explored the darkness they found lurking beneath the bright promises of fame and fortune often dangled in front of musicians, actors and other artists who come to California in pursuit of their dreams.
Frey and band mate Don Henley wrote of the excesses they observed — and famously indulged in themselves — in and around Hollywood:
Mirrors on the ceiling,
The pink champagne on ice
And she said, “We are all just prisoners here, of our own device”
Besides reaching No. 1 on Billboard’s Hot 100 singles chart in 1977, “Hotel California” was subsequently honored with the Grammy Award for record of the year.
In a statement issued Monday, Henley said Frey “was like a brother to me; we were family, and like most families, there was some dysfunction.”
That was a reference to the internal tensions the band was notorious for, and which led the group to disband at the end of the 1970s.
Henley had famously said the Eagles would reunite “when hell freezes over,” a phrase the band good-naturedly adopted when it did indeed get back together in 1992 for a new round of recordings and regular tours that continued into 2015.
“The bond we forged 45 years ago was never broken, even during the 14 years that the Eagles were dissolved,” Henley wrote. “We were two young men who made the pilgrimage to Los Angeles with the same dream: to make our mark in the music industry — and with perseverance, a deep love of music, our alliance with other great musicians and our manager, Irving Azoff, we built something that has lasted longer than anyone could have dreamed. But, Glenn was the one who started it all.”
Azoff, who has managed the Eagles for most of their long career, said Frey was as astute in business as he was in music.
“He was always telling people, ‘When you’re in the music business, you’ve got to have your music right, and you’ve got to have your business right,’” Azoff said Monday. “He had incredible instincts. He and Henley and I would always plot what was coming next. He wasn’t just an incredible writer, singer and musician.
“I don’t know of a better family man, or father. He’s just gone too soon.”
The Eagles were to have been recognized with a 2015 Kennedy Center Honor in December, but in November the band requested that it be put off until “all four Eagles — Glenn Frey, Don Henley, Joe Walsh and Timothy B. Schmit — can attend.”
At the time, Frey had a flare-up of intestinal problems he’d struggled with for years, Azoff said, and was hospitalized with plans for surgery. But he developed pneumonia and never was strong enough to undergo that procedure.
In 1986, Frey missed a reunion concert with Henley because of an intestinal disorder. An attempt to reunite the Eagles in 1990 was put off in part because of surgery to remove part of Frey’s intestine. And in 1994, their “Hell Freezes Over” reunion tour was interrupted by Frey’s bout with diverticulitis.
Frey and Henley collaborated on most of the Eagles’ signature songs, hits that came to define a quintessential Southern California pop sound in the 1970s, as distinctive as the Beach Boys’ sunny harmonies had been a decade earlier.
Frey and Henley, originally joined in the Eagles by Bernie Leadon and Randy Meisner, brought the two-, three- and four-part harmonies characteristic of country and bluegrass music to rock, powering them with electric guitars and drums in a tradition that had started with the Byrds, Buffalo Springfield and the Flying Burrito Brothers.
Henley credited Frey for being the chief architect of the vocal and instrumental blend that defined the Eagles.
“We gave Glenn a nickname, the Lone Arranger,” Henley wrote in 2003. “He had a vision about how our voices could blend and how to arrange the vocals, and, in many cases, the tracks. He also had a knack for remembering and choosing good songs.”
Glenn Lewis Frey was born Nov. 6, 1948, in Detroit and was inspired by the Beatles to take up the guitar. He played in bar bands in the Motor City as a teenager, and for a time was part of rocker Bob Seger’s band.